French artist JR just unveiled a new work in progress at the US/Mexico border. The large photographic piece depicts a child peering over a border fence from the Mexican side, apparently in reference to Trump’s effort to rescind the DACA program which protects the children of undocumented immigrants from being deported. The artist is known for his towering photographic installations backed by scaffolding such as his pieces at the Louvre and the Rio Olympics.
Artist Paige Smith A.K.A. A Common Name (previously here and here) has been filling the gaps, cracks, and corners of LA with hand folded paper crystals since 2012. Her Urban Geodes are painted in bright purple, pink, and other jewel tones. They are most commonly inserted into areas that are crumbling or could use a bit more care, allowing Smith to patch holes with art instead of a monotone spackle.
Mexican calligraffiti artist Said Dokins combines calligraphy writing with graffiti techniques to create public murals that address conflicts of power, destruction, and control imposed by both historic and contemporary regimes. His latest project, Heliographies of Memory, uses luminous tools to explore displaced memory, creating light paintings that use famous historic buildings or other iconic sites as temporary backdrops.
As part of an ongoing body of work titled Personal Topography, artist Klone has painted murals around the world in this distinct, striped style. The paintings of creatures and people are meant as a visual metaphor for the ways in which personalities and inner identities differ. “The series explores both the way each [person] and other creatures have their own topography, represented by the topographical lines,” Klone shares with Colossal. “The simplicity of colour limitations provides the idea in a direct approach and there is a constant attempt to work wit the surface and not necessarily make it disappear, so the wall stays a wall and a building is still the building.”
Annatomix, a self-taught painter from Birmingham UK, creates geometric, origami-inspired animals on everyday materials of all sizes. Bumblebees and rabbits take shape on small surfaces like discarded paper bags and wood scraps, while foxes and peregrine falcons scale the sides of buildings. Crafted in acrylic and spray paint, pastels, graphite, and ink, her animal renderings balance a fantastical element while also responding to the environment they are painted into.
This past month, Sheffield-based artist Phlegm (previously) revealed his latest mural, a 5-story tall robot on Chapel Street in Melbourne, Australia. The mechanical monster hides a village, or maybe an entire world, beneath its metal scalp, which it reveals while simultaneously dangling a lantern over the homes below. To create the work, Phlegm worked with the building’s mechanics, repurposing a flashing carpark light near the structure’s third floor into a beating heart for his large-scale visitor. You can see more of the muralist’s black and white illustrative pieces from the last year in Manchester, Florida, Oslo, and Toronto, as well as a time-lapse video of his Melbourne-based robot mural, below.
Bordalo II (previously) has created a series of bisected animals, colorful plastics forming one half of the creature while a combination of wood and metal created a muted mirror on the other side. In one piece the Portuguese artist created a turtle with legs that extend to the ground, appearing to crawl along the side of a a low wall in Moncton, Canada. Other works are more monumental, such as a rabbit that extends two stories in Vila Nova de Gaia, Portugal, and a raccoon that seems to dangle head first from a building in Pittsburgh.
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