French artist Steeven Salvat has long been fascinated by the clarity and exactitude found in old biological studies. His portfolio is brimming with such renderings, usually with a modern twist such as this stunning series of decorative drawings on skateboard decks. For this new series titled Mechanical / Biological [Crustacean Study] , Salvat imagined intricate clockwork mechanisms that might animate the rigid exteriors of crabs, lobsters, and crayfish. The 10-piece collection was drawn entirely with a 0.13mm Rotring technical drawing pen, the process of which he captured in a video below. (via Colossal Submissions)
Dutch multidisciplinary artist Vera van Wolferen (previously) produces miniature balsa wood sculptures, architectural objects that are either incorporated into animations or left motionless to tell their own stories. Her static works are often displayed beneath glass bell jars, leaving the audience to imagine that the tiny tree houses, cottages, and campers are neatly contained within their own universes. Van Wolferen also uses simple craft materials like cotton to enhance her sets, making it appear as if her sculpted homes are resting amongst the clouds.
Australian photographer Warren Keelan (previously) captures crashing waves from beside, and sometimes within their swell. Clad in a wetsuit he takes to the South Coast of New South Wales, Australia to photograph the dazzling curvature of waves right as they break. Keelan sells prints of both the waves and sea life he comes across during his swims on his website. You can see more of his work on his Instagram and Facebook.
Since to 2011, Oregon-artist Darryl Cox (previously) has been making “Fusion Frames,” sculptural hybrids of picture frames and segments of tree roots. Each piece begins with a search to find a frame that closely matches the reclaimed roots he obtains from manzanita, juniper, and aspen trees, or even from grapevines. The pieces require extensive amounts of woodworking and painting to seamlessly fuse the two objects together, meaning Cox can only produce around 25 or so pieces each year.
Japanese artist Ayumi Shibata uses traditional methods of Japanese paper cutting to create miniature cities within vessels of glass. Her chosen materials reference the delicate relationship humans have with our environment and natural forces of our world, while also relating to the Japanese translation of “paper.” In Japanese, the word for “paper” is “Kami,” which can also mean “god,” “divinity,” or “spirit.” Kami are omnipresent in the Shinto religion, and reside in the sky, ground, trees, and rocks.
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