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Art

Copenhagen-based artist Johan Deckmann examines the complications of life through clever titles painted on the covers of fictional self-help books that appear to tackle life’s biggest questions, fears, and absurdities. A practicing psychotherapist himself, Deckmann thoroughly recognizes the power of language in therapy and possesses a keen ability to translate his discoveries into witty phrases. “I like the idea of distilling words to compress information, feelings or fantasies into an essence, a truth,” he shares. “The right words can be like good medicine.”

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Working with varying weights of iron wire, Italian artist Roberto Fanari constructs life-size figurative sculptures of both people and animals, applying the material like the strokes of a pencil to vary the density throughout each work. Some figures are almost wholly transparent, allowing for only a handful of lines to define the volume of a leg or torso while shifting to a more solid approach for the area around an eye or a thick tuft of hair, giving each each piece an almost ghostly, unfinished appearance. Fanari debuted a number of his wiry pieces at White Noise Gallery for a 2016 exhibition titled “Ferro,” (Iron) and you can see more of his work here.

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Eve is the newest multi-colored woodcut print from Valerie Lueth of Pittsburgh-based Tugboat Printshop (previously here and here). The limited edition print is created from layering four different blocks, each containing a separate color. Once combined, an orange and green hand is seen suspended in the cosmos, flowers and plants growing wildly from the extended limb. The print is currently available for pre-order, with an anticipated ship date of mid-June. You can learn more about the making of Eve, as well as order your own print, on Tugboat Printshop’s website.

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No, we’re not staring down the eyes of our new insect overlords, but you could certainly be forgiven for thinking so. Instead this is the latest artwork from South Korea-based artist duo Kimchi and Chips (Mimi Son and Elliot Woods) — a piece so thoroughly layered with technology it almost defies description despite being undeniably intriguing to witness. Titled Light Barrier Third Edition, the installation is the third in an ongoing series of works that utilize a vast array of projectors, mirrors, and speakers to present volumetric light forms which materialize in a foggy haze just above the work. From their artist statement:

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A girl is seen softly touching the nose of a giant, white horse frozen in mid-air within the Argentinian Pavilion of this year’s Venice Biennale, a large sculptural work by artist Claudia FontesThe Horse Problem, and the Argentinian Pavilion, are located within the biennale’s Arsenal building, the largest pre-industrial production center of the world. Made long ago from wood, bricks, and iron, the building is one that could have only been built by horse-power, the work highlighting the hidden influences the animal had on the city.

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