Authors Posts by Raymond Bauhs

Raymond Bauhs

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Within the confines of an abandoned warehouse in Lisbon, artist Bordalo II just opened the doors to his largest body of work to date, dozens of animalistic assemblages comprised of his trademark medium: trash. Using locally-sourced waste plastics, car parts, construction materials, and other found detritus, Bordalo has become famous for his uncanny depictions of animals—those most vulnerable to the side effects of our disposable economy. While scale often plays a large role in his outdoor wall-mounted street pieces, the artist also created considerably smaller assemblages attached to old doors, siding, and windowpanes.

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Painter Kelly Reemtsen (previously) paints images of anonymous women in thick impasto. The pieces juxtapose high fashion with tools and other construction equipment, placing sequenced high heels alongside sledgehammers and hefty axes. The colorfully painted works are Reemtsen’s comment on modern femininity. By placing tools in each of her subjects’ hands, the LA-based artist showcases that having feminine identification doesn’t mean fitting into a predetermined role.

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New work from literary jeweler Jeremy May (previously) transforms the dense layers of books into jewelry that carries the words within each individual, wearable form. Littlefly, his line of rings, necklaces, bracelets, and earrings, reinstalls the finished jewelry in the book that it was originally extracted from, but each piece also has a life of its own with abstract patterns and sculptural shapes.

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Herds of serpentine rabbits, schools of fish, and flocks of interwoven birds all feature prominently in these recent murals by Portuguese artist Pantónio. Many of the pieces seem to be swirling through water or comprised of liquid itself, often taking inspiration from creatures found in the Tagus river that flows through the middle of Portugal. Seen here are a collection of murals from Pantónio’s travels to Sweden, Morocco, Florida, and elsewhere. You can follow more of his work on Facebook.

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